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My 2003 CLIR report addressed the questions that the digital revolution raises at a time when use of the Internet was surging. My subsequent work as an editor of RILM (Répertoire Internationale de Littérature Musicale), a global online music bibliography that covers all fields of music, has been a journey through the far-reaching changes that globalization and digitalization have imposed on academic research in the last twenty years. RILM was conceived in 1966 as a global research tool modeled after the UNESCO idea, and its wide scope was ahead of its time. How has this model fared in the era of digital globalization

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